The Dare Devil in this video must remain anonymous. Not even the licence plate on the scooter can be revealed in this video due to the many infractions of law as the governments feels it must protect us all from ourselves. This young dare-devil will not be deterred.
Street Entertainment TV Begins –
Look for live broadcasts every week –
Street Entertainment TV is going live on street I Am every week on the streets of Southern California to bring you a daily dose of the amazing talent on the streets of LA LA Land. street Entertainment TV will not rest untill we have found every talented street performeran d broadcast them live as they are performing, for…
Ezwan Rohman·released a series of new videos from his new busking project on the Ezwan Rohman· YouTube channel. Ezwan not only posts video on YouTube but also busks for a living and in this video he is performing with the Genji Buskers and some other local musicians. He is the one singing and playing the guitar left-handed. The Genji Buskers is one of 3 bands that Ezwan Rohman·busks with. His latest video release project focuses on his bands and their music. In the last month he has released 8 new videos. Apokalips is video number 6. Apokalips is a song written by Singapore born, Malaysian legendary singer/songwriter M.Nasir. He was also a busker in the 80’s before he formed a rock band of his own.
And what about the Genji Buskers and the other musicians performing in the video Ezwan says “all of the people in the video are friends and buskers . some of them are from other groups but we think that merging all the groups together for a short session would be more interesting . Some just playing along with us and trying to fit in the music that we play…”
When asked about the language in the song, he speaks of his city Kuala Lumpur, “The language is called Malay. Malaysian are the people ( which consists of Malay , Chinese and Indian .And what is the song about? “The song is mainly about self-consciousness about life , karma and everyday feelings . Sometimes we’re up , sometimes we’re down . roughly its about that , i can’t explain it thoroughly as the songwriter applies classic Malay literature to all of his songs”,
Here is the video performed by M.Nasir. You can read the words and pick up a little of the meaning from the few English words in the song. Video posted by Mai Lanun
In Kuala Lumpur quality street performing is encouraged, licenses are easy to get so everyone who performs on the street has one. However as with anywhere busking is a risky profession. Ezwan has been street performing since 2010 when he called it quits with his job at the bank to pursue street performing and music full-time. Now he hopes to make a living by creating and sharing what he loves. The Genji Buskers and Ezwan Rohman will be performing in the World Art Games this year in Croatia in June.
A series of videos from street performer and video channel Ezwan Rohman is on YouTube released late last week and the results are worth checking out. The video Genji Busker ft Bob Aizad ( Alam Busker ) – Teman Pengganti is a pop rock piece that you wish you could hear better and look forward to a studio recording and who knows perhaps you might get that someday. . The other songs on the YouTube channel are all fresh, alive with each piece generating an original sound full of talent. Check out the vocal in this video. It is hard to hear but what you do hear sounds great.
Well as with everything else in this world there is no perfect paradise but for street performers, New Zealand comes very close. Both New Zealand and Australia have a ton of busking festivals and competitions all the time. Kids 14 and over sometimes younger can be found in New Zealand out busking on the weekends and it is not looked down on in as great a numbers as other places in this world. A good busker is more often encouraged and appreciated in New Zealand than looked down upon.
MWSellwood is a multi talented Featured Videographer for Street I Am, an established guitar busker in Auckland and has been documenting the talent on the streets there and elsewhere for a while. As you will hear in this video the talent in Auckland is substantial.
So what’s up with Auckland?. The New Zealand Herald reports today that the City is deciding whether or not to limit busking and increase the fines for infractions. Now MK Sellwood is leading a discussion in Auckland to revisit the busking law and create a more socially optimized solution.
There is a general appreciation of Street Artists in Auckland. There is no permit fee for talent exhibition on the street. When complaints are raised with the authorities they are usually very reluctant to issue more than a warning and seem to use highly admirable discretion in presenting citations. Another positive is, if someone complains about the performers the authorities often let the performer know, and log it dutifully every time. Rarely does it get to the point of a fine for the performer as buskers generally move on and come back later. So that is good for the trust of the whole community. Apparently you have to be quite a bother before anybody in Auckland is going to raise a fuss.
But some apparently do complain repeatedly and seem to get no solution. So it is incumbent upon the good offices of the government in Auckland to find which of these complainers are just cranks. People who want to impose their own sense of order over others unwilling to embrace any compromise. They also need to see if some complainers raise a genuine point which will be useful in locating the places where greater than 65db may be appreciated at certain times and where less than 65db is appreciated all the time. Why? Because sound carries differently in different places and sometimes a stakeholder has to think without being subjected to the same song they’ve had to listen to 3 times a day every day, at just a bit to loud a volume, right outside their door.
Sometimes the ability of the stakeholder to think helps keep that street a profitable place to busk. Sometimes your personality or business model just might not work for certain neighborhoods. Sometimes the culture in a place, is what gives it the prestige you want for your business or residence. So you might think before you move in and change the culture if it results in damage the desirability of the place.
Street I Am is based in the Los Angeles area and I can give you 2 examples of 2 different policies one mile apart.Venice Beach is a world famous destination where you do not even need a permit to perform or recite poetry or play a radio and ask for money. It is one of the last places in the USA where free speech of this type is still available and Google as well as other tech firms have offices. Other high end money and residents live and work here and the culture keeps them coming. Performers need to pack it up at sundown. The performers talent runs from spotty to eccentrically brilliant.Santa Monica 3rd St Promenade and Pier is a different affair. It is wealthy to solid middle income heaven and the performers all pay a reasonable fee for a permit. The talent is more professional and have cards and contact info and often of the big stage and pre big stage level. This video, songwriting street star and busking beauty NAIA KETE performs on the 3rd St Promenade in Santa Monica California USA.
65db is the sound limit everywhere in Auckland, no matter where you are no matter what the time. This one size fits all approach by government entities is not exclusive to Auckland. It is simply the way that bureaucrats who are lazy and/or opportunistic govern and as usual we find that it may not be useful for street culture. Unfortunately now the City Council of Auckland wants to double down on this current inefficiency and make fines unbearable and start giving themselves the power of police judge and jury over any complaint. They seem to some to seek the power to decide what is art.
Leftists in New Zealand who do not trust private enterprise to ever act in the best interests of the country took to the streets of Auckland New Zealand on Friday to protest selling off the assets of New Zealand’s power company. The Government wants to sell shares of the power company that they own to the public because they believe that a private company will do the job with less expense thus saving money to the consumer. Already the Prime Minister claims more than 285,000 people have pre-registered to buy shares.
However Keep Our Assets who believe that the people will be short-changed by the deal have already presented a petition of 392,000 signatures to Parliament against the sale and on April 27th took to the streets to protest.Check out the excellent video byMWSellwood Read an essay against the proposal by Miriam Michal, ANFS Spokesperson Emerita